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These works, or rather the most captivating and successful of them in historical, anthropological and aesthetic terms, are gathered together in Visions from Abroad. Historical and Contemporary Representations of Saudi Arabia and presented in a dozen thematic chapters. All the media and all the genres, including painting, sculpture, engraving and photography as well as installation and even comics, are represented in this extraordinary gallery of images, where the works of great orientalist artists like Léon Belly, Georg Emanuel Opiz and Émile Prisse d’Avesnes are fruitfully juxtaposed with those of famous contemporary photographers like Raymond Depardon, Abbas and Humberto Da Silveira. Running parallel to these images, the text enables us to see through Arabia, a land so difficult and complex to penetrate and decipher, through the eyes of the travellers who undertook to describe it in the works they have left to posterity. 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All the media and all the genres, including painting, sculpture, engraving and photography as well as installation and even comics, are represented in this extraordinary gallery of images, where the works of great orientalist artists like Léon Belly, Georg Emanuel Opiz and Émile Prisse d’Avesnes are fruitfully juxtaposed with those of famous contemporary photographers like Raymond Depardon, Abbas and Humberto Da Silveira. Running parallel to these images, the text enables us to see through Arabia, a land so difficult and complex to penetrate and decipher, through the eyes of the travellers who undertook to describe it in the works they have left to posterity. It also addresses the often uncommon personalities of these figures, like the Italian Ludovico di Varthema from Bologna, who did not hesitate to become a Mamluk in 1503 in order to set foot on Arabian soil, and the British naval officer and writer Richard Burton, who managed to pass himself off as an Afghan physician and magician to the same end in 1853.\u003c\/p\u003e"}
